Was back in the studio last night doing a little more drawing on the megature - dogs, tigers, more spines on the snakes...
While I was creating a series of arching, fluted horns growing from the back of a floating, greyhound-like creature, I found myself in a moment of self-recognition.
backstory:
A week or so ago Jonathan Bennett came by to discuss some potential collaborative work, (ekphrastic stuff, as we say here in Wenham) and we got into a fairly in-depth talk about my artistic motivations (it was actually a little like being in therapy). At first I was a little wierded out, but eventually he explained that he was just trying to find out what makes me tick artistically so that he could respond informedly to the work.
Since Jonathan is a poet, the conversation naturally drifted to my past work in orthographies and constructed languages - what sounds I like, how I go about choosing and developing letter/character forms, etc. I have mostly abandoned such pursuits in the last few years since they're time-consuming and fairly solipsistic, but it was fun to babble about them to someone who was actually interested.
One of the languages, Oriset (the only one with a semi-developed working grammar and vocabulary) whose script is calligraphic and resembles sequences of clouds or waves, has a very complicated system of verbs, with many irregular ones and an ornate method of conjugation. The entire language from the choice of consonant sounds up to conjugations and noun declensions, was developed for beauty, flow and a rhythmic, embellished sound, which brings me back to the Persian Megature.
As I was drawing the various creatures, it struck me that I was designing the line-quality of the Megature in much the same way that I went about building the sound-quality of Oriset. I take the necessary and essential elements of the creatures I choose to include, and spin them out into a sort of attenuated Mannerism that borders on the Rococo.
So, an interesting observation - don't what what I'll do with it yet.
From The Vault
Speaking of hyperstylized linework: a rabbit grooming itself in a thicket by a pond, in the Thai style. Circa late 90s?
Illuminated manuscript, color pencil, 2004ish
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2 comments:
Wow...I love the faces on these guys. Very unique.
based on an ancient Celtic statuette I saw once, actually.
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